OBSESSION

27 November 2021 - 8 February 2022

Closing Event: 28 January - 17-21h CET

ONLINE PANEL - IMPRISONED FOR ART: 3 February - 18-20h CET

Join for a discussion on the repression of artistic freedom in Cuba, moderated by exhibition co-curator Marilyn Volkman: 

Watch the panel recoding here: link to facebook

Panelists: Manfred Nowak, Former UN Special Rapporteur on Torture, co-founder of Vienna Master in Applied Human Rights / Solveig Font, Cuban curator, co-curator of “Obsession” at ENTRE / Hamlet Lavastida, Exiled Cuban artist and political activist by way of his art / Alexandra Xanthaki, UN Special Rapporteur on Cultural Rights and Professor of Law / Andra Matei, Managing Director of Avant-Garde Lawyers and co-author of https://pen.org/art-under-pressure-decree-349-cuba/

EXHIBITION EVENTS

  • Join for a zoom inauguration of the exhibition. The program will include a live introduction from Vienna by the curators, video screenings, and a panel with participating artists. The event occurs exactly one year after the 300+ protest at the Ministry of Culture in Havana, Cuba.

    The program will include time for audience Q&A.

    ATTEND VIA ZOOM

    Zoom Link: https://dieangewandte-at.zoom.us/j/63062053946

    Meeting ID: 630 6205 3946

  • After lockdown is released, we open our doors to the Vienna public for the first in person inauguration of ENTRE. Both the curators and one visiting artist from Cuba will be present. Tours of the exhibition will happen throughout the evening.

  • Join us for a closing celebration of the OBSESSION exhibition on the occasion of José Martí's Birthday Memorial. (Proof of vaccination, negative PCR less than 48 hours and face mask required.)

  • Discussion on the repression of artistic freedom in Cuba, moderated by exhibition co-curator Marilyn Volkman.

    Watch the recording here: facebook LINK

    Panelists:

    Manfred Nowak, Former UN Special Rapporteur on Torture & co-founder of Vienna Master in Applied Human Rights.

    Solveig Font, Cuban curator and co-curator of “Obsession” at ENTRE

    Hamlet Lavastida, Exiled Cuban artist and political activist by way of his art

    Alexandra Xanthaki, UN Special Rapporteur on Cultural Rights and Professor of Law.

    Andra Matei, Managing Director of Avant-Garde Lawyers

Attendance at events will require proof of vaccination, negative PCR within 48 hours & face mask. For questions, email: entrevienna@gmail.com

PRESS COVERAGE:

Diario de Cuba / Rialta Magazine / 14yMedia / Radio Television Marti

curators: Solveig Font & Marilyn Volkman

artists: Mujercitos • Luis Manuel Otero Alcántara • Lester Álvarez Meno • Katherine Bisquet • Jenny Brito • Raychel Carrión • Julio Llópiz-Casal • Benjamin del Castillo • Adrian Curbelo • Italo Exposito • Kiko Faxas • Celia González • Hamlet Lavastida • Camila Lobón • Nelson Jalil Sardiñas

OBSESSION gathers and involves an entire spectrum of optimism and anxiety that has accompanied the lives of artists in Cuba since 2018, when Decree 349 severely restricted the cultural sphere. Following two years of escalating tensions, on 27 November 2020, more than 300 people assembled at the Cuban Ministry of Culture to reject state violence against artists and demand rights of artistic expression for all. Since then, many artists have all but stopped making work to dedicate themselves to activism, while others have shifted the focus of their artistic practice toward the current crisis. 

  • Mujercitos

    TRAGA!

    Mujercitos is a collective.

    Although Mujerciitos publishes on social media networks, it is not a media outlet. Mujercitos uses visual, textual and paratextual writing to reveal "things you keep quiet"

    Vomit is their means of expression.

    Vomit is freedom.

  • Hamlet Lavastida

    Monument to Decree 349

    The imagery in the work mixes Chinese propaganda with Stalinist monumentalism, replacing Mao’s little red book with a freestanding (decree) ‘349’. This design draws from a constellation of Chinese monuments that Lavastida plans to explore in highlighting other decrees issued by the Cuban government; for example, Decree 270, which impacts freedom of the press.

  • Luis Manuel Otero Alcantara

    Still Life Series: turning violence into art / mobile phone video

    These drawings were made by Luis Manuel Alcántara Otero during the 30 days he was hospitalized against his will, after going on hunger strike in protest to the repression he endured by the Cuban state. The artist had no communication with the outside and was not permitted visitors. He was under surveillance 24 hours a day.

  • Katherin Bisquet

    Katherin Bisquet

    Protest Sheet

  • Nelson Jalil Sardiñas

    Something alive inside something dead

    The sculpture talks about the necessity of going beyond the limits imposed by a reduced space. The space can be a prison, a country, a body or a stiff concept.

  • Camila Lobón

    untitled

    Repudiation acts have been a habitual practice in Cuba since the 1960's. They consist of groups of citizens, orchestrated by the Department of State Security or organizations subordinate to the Communist Party, partaking in verbal abuse, physical attack or vandalization of the property of those who disagree with the government.

  • Celia Irina González

    A Special Operation

    Fifty plants from all over the world talk to us. They found a book “Sobrevivencia” with instructions on how to survive in nature, a book made for the Cuban Special Operations Military. There are images of plants in the book but they do not look as they do in reality. The plants say that they are spectrums, but the military is not aware.

  • Julio Llópiz-Casal

    Aforismos ensartados (pabellón 1)

    The series began on Llópiz-Casal’s Instagram feed surrounding the ongoing repression of artists and intellectuals by the government in the Cuban context. The textual designs were then transformed into physical, wearable objects for the OBSESSION exhibition in Vienna. T-shirts and buttons advertising the faces of political prisoners in Cuba are intended to be seen inside and worn outside the gallery in public space.

  • Raychel Carrión

    PEQUOD

    The work approaches the influence of politics on affective relationships and the construction of perception through centralized power. The approach is in the "politicization of the affective" as a generator of "philias" between subjects of the same ethnic group or social class, creating a unity to the detriment of empathy —an oppressor of difference and individual freedoms.

  • Lester Álvarez Meno

    Luz de Noviembre

    Light of November was created in November of 2020, a month baptized in Cuba as ‘Black November’ due to the escalation of the Cuban regime’s repressive acts against its citizens. The work is dedicated to the strikers of the San Isidro Movement, to the victims of rape, repression and unjust sentences by the Cuban police, and to the protesters of November 27, 2020.

  • Between Xanadu and The Usual Suspects

    Selection of 8 artists’ videos

    These videos narrate the life experiences over the past year of the Cuban curator, Solveig Font. The process is told through 8 artists’ videos, each of which correlate to a physical, emotional, or psychological life experience during periods of lockdown, protest, and the curator’s house arrest.

OBSESSION

curators: Solveig Font & Marilyn Volkman

artists: Mujercitos • Luis Manuel Otero Alcántara • Lester Álvarez Meno • Katherine Bisquet • Jenny Brito • Raychel Carrión • Julio Llópiz Casal • Benjamin del Castillo • Adrian Curbelo • Italo Exposito • Kiko Faxas • Celia González • Hamlet Lavastida • Camila Lobón • Nelson Jalil Sardiñas

This exhibition emerges from the current, critical period in Cuba when artists, journalists, and intellectuals have responded to the government’s restrictions on freedom of expression with specific demands. For those artists directly involved in the protest movement, the effect on life over the past year might be encapsulated in one word: obsession.

OBSESSION gathers and involves an entire spectrum of optimism and anxiety that has accompanied the lives of artists in Cuba since 2018, when Decree 349 severely restricted the cultural sphere. Following two years of escalating tensions, on 27 November 2020, more than 300 people assembled at the Cuban Ministry of Culture to reject state violence against artists and demand rights of artistic expression for all. Since then, many artists have all but stopped making work to dedicate themselves to activism, while others have shifted the focus of their artistic practice toward the current crisis. 

In some cases, OBSESSION has been the only way to achieve results—an agent of action and a path forward. At the same time, it has been a constant source of anxiety and distress, all but consuming entire aspects of life. For many, the work has become the condition of being faced with continual antagonism by the State. For other Cuban artists working outside the country, their production is in some ways now more inside the context than ever before. 

OBSESSION is a state of being, a profile of psychology, an exit to social ostracism. It suggests an entrypoint into the current socio-political context of Cuba without being too far-fetched, ever mindful that OBSESSION implies a certain underlying precarity.

The exhibition has to do with artists’ insistence on telling (the rapporteur), on testifying (the narrative), and on ceaselessly sharing images and information to raise awareness, in all cases, obsessively. 

———

In these times, what are we going to talk about if not obsession, anxiety, and the most distressing burnouts, they last longer than joys, they are deeper and more evident in the brief space that we occupy in this world. 

- Raychel Carrión

OBSESSION is generously supported by: BMKOES

generously supported by the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sport

 

 
 
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